Founded in December 2010 by Thomas Deneuville, I CARE IF YOU LISTEN was born from the desire to talk about Contemporary Classical Music—or New Music—in lay terms. Other interdisciplinary topics include Art and Technology.
I CARE IF YOU LISTEN is a blog, a magazine, and a video platform:
Yes, as a result (and apart from rare article previews) the content from the magazine is different from the blog’s.
The title is a reference to a famous article by American composer Milton Babbitt published in 1958 in High Fidelity: Who Cares if You Listen? Although this article is seen as the epitome of academic/serialist snobbery, its title was not the one that Babbitt intended (it was changed without his knowledge or consent before publication). The title of this blog is not directed at Mr. Babbitt, but more at the creative forces out there that tend to look down on their audience…
Thomas Deneuville was born in France and has a dual background: engineering and composition. Thomas’s former teachers include Shafer Mahoney, Eric Tanguy and Tristan Murail (composition), Franco Corelli (voice), and Geoffrey Burleson (piano).
Martha Cargo is a Brooklyn-based flutist-curator-arts administrator who has become convinced of the power of Twitter. She’s currently reading “Hackers: Heroes of the Computer Revolution,” due to her burgeoning interest in The Misfit Economy, loves to cook for friends, and sings early music. She is thrilled to be part of the ICIYL community because she really does care if you listen.
Currently in the last semester of her DMA (flute) coursework at West Virginia University, Amanda Cook spends her summers teaching flute and music theory at a performing arts festival for high school students in NE Pennsylvania. Outside of the worlds of flute and academia, Amanda enjoys pescatarian cooking, baking, college basketball, craft beers, good coffee, being outside, and living in the mountains of WV.
Sam Reising is a composer based in New York City. He holds a Bachelor of Music in music theory & composition from NYU Steinhardt, where he studied with with Ezequiel Viñao. Sam is also the Grantmaking and Social Media Manager for New Music USA, and offers his own take on marketing for small, nonprofit arts organizations on his blog.
Lauren Alfano-Ishida is a New York-based soprano, writer, and teacher. Currently, she works as a Production Manager and Dramaturg for the Hunter Opera Theater.
Richard Barnard is a UK-based composer, conductor, and educator writing music for opera, dance, and chamber groups.
Astrid Baumgardner is a lawyer, a lecturer, and a professional certified career coach.
Eli is a native New Yorker who plays classical guitar, currently works for Boosey & Hawkes, Inc., and sometimes writes about music.
Norman Cahn is a music student at UC Berkeley. He enjoys performing on the violin, and studying the historical significance of reused melodies.
Ruth Carver is a performer (mezzo-soprano), writer, and educator living in Denver, CO.
Jason Charney is a composer of (mostly) electroacoustic music and a graduate student at Bowling Green State University.
Don Clark is a classical music enthusiast, free lance concert reviewer, and blogger.
Danny Clay is a composer and general noise-maker based in San Francisco, California.
Jackson is a freelance critic, conductor and owner of The Cramped Critic blog in North Carolina and New York.
Thomas Dempster is a composer and educator from Columbia, SC.
Thea Derks is a Dutch music journalist, specializing in contemporary music. She’s recently finished a biography of Reinbert de Leeuw.
David Dies is a composer, theorist and educator, currently living in Wisconsin.
Maurice Du Berger discovers folk music of the Balkans in 2004. Since this revelation, he is actively composing and participating in numerous musicals projects.
Arlene and Larry Dunn are pure amateurs of contemporary music based in Oberlin, Ohio.
Gavin Gamboa is a composer, pianist, and video artist based in Los Angeles.
Christian Gentry is a composer, professor, sound collector, and writer in the Boston area.
Jarrett Goodchild is a composer, conductor, and percussionist based in western North Carolina.
Kurt Gottschalk is a writer, journalist and broadcaster based in New York City.
Daniel Hautzinger studies piano and history at Oberlin.
Aaron Holloway-Nahum is a composer, conductor, recording engineer, and graphic designer living and working in London.
Paul Kilbey writes on music and culture for publications including Culture Wars, Huffington Post and Bachtrack.
Christian Kriegeskotte is a composer, writer and eccentric currently based in Brooklyn, NY.
Daniel J. Kushner is an arts journalist and opera librettist who swoons anytime he hears the phrase “creative collaboration.”
Joanne Lam, currently the writer and producer of a cross-media arts project called INVERSES, is also a classically trained cellist.
Rebecca Lentjes is an assistant editor at RILM Abstracts of Music Literature, independent writer/scholar, and amateur pianist.
Lana Norris is a pianist turned wordsmith, new music enthusiast, and resident of Harlem, New York.
Angelina Panozzo: Jack of all music trades, master of Netflix and video games. Composer, soprano, journalist.
Curtis Perry is a composer, educator, non-profit music organizer at onmc.info, and a grad student at carleton.ca/music.
Justin Rito is a composer, pianist, theorist, and new music enthusiast from suburban Detroit.
Bruce A. Russell (aka El Mahboob) is a Toronto-based composer, pianist, father of three. Bruce also wrote for Musicworks.
Jennifer Stock is a writer, audiovisual artist, and educator living in Brooklyn, NY.
J. M. Gerraughty
Jeremy Howard Beck
Elizabeth Kennedy Bayer
R. Andrew Lee
Brian J. Mark
H. Paul Moon