“Is this the real life?” “If you’re happy and you know it…” “Is this just…” “CLAP YOUR HANDS!” “Carry on,..
thingNY’s This Takes Place Close By at The Knockdown Center
George Benjamin’s Written on Skin and Into the Little Hill at Mostly Mozart Festival
Hand Eye: a Collaboration Between Giants
Taktus Raise Their Mallets for Ann Southam
Clio Em Premieres GRAVITY WING in Montreal
Sound, movement and truly strange wigs with Herbert Fritsch at the Wiener Festwochen
Margaret Brouwer’s Blue Streak Ensemble at The National Opera Center
Brigitte Poulin and Jean Marchand: Two Pianos at Music and Beyond
Ifè: Three Yorùbá Songs U.S. Premiere in San Francisco
eighth blackbird and the Altius Quartet at the Great Lakes Chamber Music Festival
Radiant Ragas: Contemporary Classical Indian Music That Thrills
Meditations: An Evening with the String Orchestra of Brooklyn
Bruce Brubaker and the Music of Philip Glass at Le Poisson Rouge
George Lewis premieres “Afterword” at Roulette
Glenn Kotche’s Wild Sound is Unexpectedly Brilliant
Spektral Quartet presents Comic Cadences at Constellation
Hercules in Mato Grosso brings South American opera to New York
New Ensemble Exceptet debuts at Cloud City
Reich’s Three Tales in IMAX at the London Science Museum
An Evening with Barrière and Saariaho
Nedudim: A collaboration between Fifth House Ensemble and Baladino
Mary Kouyoumdjian’s Silent Cranes gives voice to a century of turmoil in U.S. première at Roulette
Marveling in the human voice at Meredith Monk and Vocal Ensemble’s 50th anniversary
2015 Look and Listen Festival Opens at BRIC Arts Media
AACM Celebrates 50th Anniversary at Bohemian National Hall
Three Nights at MATA Keeps Your Ear on its Toes
Voices and Strings concludes Vancouver New Music season
Voices, voices in space, and spaces: Thoughts on 50 years of Meredith Monk
Jóhann Jóhannsson’s Drone Mass at The Temple of Dendur
The ACO presents Sins and Songs at Carnegie Hall
Missy Mazzoli: Composer Portrait Series at Miller Theatre
Bora Yoon’s Sunken Cathedral at the Prototype Festival
Practice, practice, practice: Philip Glass’s Complete Piano Etudes at BAM
It’s a dramatic moment when the doors open at National Sawdust. After standing in a slim black lobby, concertgoers are..
Nothing quite compares to the American Composers Orchestra. It is the only orchestra that exists with the sole purpose of..
“For many years now, I’ve been obsessed with the notion of music as place, and place as music… I want..
September 25-27 was the 2015 Kontakte Festival of new classical electronic, electro-acoustic, and sound-installation music at the Akademie der Künste in..